Wednesday, January 22, 2014

Lighting Techniques: The Matrix



Lighting usually goes unnoticed or neglected when we view films, or at least in my opinion I have never realized how much importance lighting is within films. Lighting is a crucial component of a film’s visual design and serves all different purposes. It sets the tone of specific scenes, can surface emotions with the audience, and is able to easily manipulate the audiences’ response to certain characters.  One film that uses all three of the purposes listed above is The Matrix directed by Lana and Andy Wachowski. For those who are crazy enough to have not seen this spectacular movie let me give you some insight. To start, the protagonist, Neo, is contacted by a group of freedom fighters or enlightened individuals who inform Neo that the reality he has come to understand is just a simulation called the Matrix. The Matrix hides the truth from humanity and the freedom fighters believe that Neo is “The One” who will be able to expose the truth and overthrow the machines. The movie conveys Neo’s journey of overthrowing the machines and accepting his role as “The One”. Yet, this movie would lose its overall message and “badass” feel if the lighting were not utilized in the manner it was. A prime example of the lighting techniques began with the opening sequence of the movie. I shall break down the sequence to prove my point.

The first scene opens on a group of policemen gathered in an untidy, dark hallway. Their bright flashlights contrast with the discouraging colors seen in the corridor. This contrast creates a certain tension and uneasiness. The policemen close in on one of the room’s located in the hall. Once they kick in the door the lighting changes. The room they enter would be pitch black if it were not for the flashlights the cops carry in their hands. As explained in the article, “The Matrix a Review of Directing Techniques” the flashlights create silhouettes of the cops which in contradiction of the clearly present Trinity makes the cops look vulnerable or inferior to her. Just based on the directors’ use of lighting the viewers get the feeling that Trinity is in control of the situation at hand.

 The next scene picks up speed as Trinity is trying to escape from the agents. Many lighting techniques are in play here as well. One of the harder instances of lighting is the “side lit” technique used on Trinity’s face. Below is a picture of Trinity with the side lit technique in action. One can clearly see that half of Trinity’s face appears brighter than the other side. I interpreted this as a way to symbolize Trinity’s double life, her life in the Matrix and in the real world.

"Side Lit"


Another lighting detail that is continuous throughout the movie is the emphasis on the colors green and blue. An article that expanded my view and thoughts on the significance of color within The Matrix was “Why You Truly Didn’t See The Matrix” which broke down the usage and significance of the colors employed in the movie, especially green.
These colors are prominent in the movie to distinguish between the Matrix and the real world. In the Matrix, there always seems to be an overlying green tint that the viewer sees, yet when the characters transition back to the real world that green tint disappears and a blue tint comes into affect. Blue can represent many things to a person, but the directors made sure to use this color to portray the real world as bleak, harsh, and unglamorous.


"Matrix Green Tint"

"Real World BLue Tint" 


Without the use of lighting and color in The Matrix the movie would lack meaning and character development. The audience would less likely be able to follow or even have interest in the plot line for lighting ties the sets and the scenes together. 

Works Cited
Barsam, Richard, and Dave Monahan. Looking at Movies. 4th ed. New York: W.W. Norton, 2013. Print.
Kennedy, Matt. "The Matrix a Review of Directing Techniques." Entertainment Scene 360. RR Donnelley, 20 Jan. 2007. Web. 21 Jan. 2014. <http://www.entertainmentscene360.com/index.php/the-matrix-a-review-of-directing-techniques-32924/>.
"Lighting." Film Reference. Advameg, 2007. Web. 21 Jan. 2014. <http://www.filmreference.com/encyclopedia/Independent-Film-Road-Movies/Lighting.html>.
The Matrix: Trinity Escapes. Youtube. LLC, 14 Apr. 2010. Web. 21 Jan. 2014. <http://www.youtube.com/watch?v=u31OjOPF-ZI>.
Twedt, Chad. "Matrix Resolutions." Matrix Resolutions. Fundamentals Web Design, n.d. Web. 21 Jan. 2014. <http://www.matrixresolutions.com/index.html?page=colors>.
Wachowski, Andy, and Lana Wachowski, dirs. The Matrix. 1999. Warner Bros., 2004. DVD.
"Why You Truly Didn't See The Matrix." The Latest Reviewer. WordPress, 6 Dec. 2012. Web. 21 Jan. 2014. <http://thelatestreviewer.wordpress.com/2012/12/06/the-matrix-hidden-messages/>.





Sunday, January 12, 2014

So here goes nothing. I have never had a blog before. I mean, sure I have a tumblr, but that doesn't seem like a blog to me. Rather, it seems just an outlet for me to waste my time. This is my first official blog where I am expressing my opinions on the movies watched this quarter in Theater. I am looking forward to analyzing movies in depth for I hope it will give me a new perspective when watching movies in the future. I guess I should share what my favorite movies are. I mean this is my movie blog so you, as the reader, should get to know who I am when it comes to my movie preference. I am all over the board with movies. My movie taste ranges from 27 Dresses to Inglorious Bastards. Not to mention I am a big fan of horror movies. I absolutely love Blair Witch Project, which still gives me the chills when I re- watch it. So I can guess I can honestly say I love all genres of film. It's crazy to think about all the movies I have watched in my lifetime; too many to count, but movies have been a big part of my life.  Movies are entertainment. And yet they are so much more than that. Movies increase our knowledge about our own and other cultures; they give a voice to the voiceless; they create hope within the audiences watching them; and they can motivate viewers to follow or find their passion in life. Movies engage our day-dreams of an exciting, meaningful life. They are an outlet for the public to escape from reality, and they can introduce us to new things that we may not have time for in our real lives.  In the end, movies reflect the endless fountain of ideas that flow from the human imagination. Hang on movie goers, we are in for quite a ride.